Image credit: Utility Design
I have strong opinions about lighting. I’ve been known to have strong opinions about a number of things related to interiors it’s true, but lighting is a particularly large issue for me. Last week on an Instagram post it became apparent I’m not the only one however – always a nice thing to discover. Contemporary lighting is tricky all round.
Each room in my home has light fitting that I’ve spent a great deal of time selecting, they can be hard to get right. We call these the ‘big’ light. A great way of adding a bit of a statement into a room, there are some amazing options out there right now. All of that being said, I absolutely wouldn’t resort to living by the light of the ‘big’ light unless there was no other option. That was sadly the case for me in my dining room where two weeks ago I went on a bit of a crazy smashing spree and managed to obliterate a porcelaine and concrete lamp I’d picked up in The Conran Shop sale a few years back.
It was a sad moment, not just because it meant the lamp was no longer with us, but because it meant the ‘big’ light was terrifyingly the only option.
I live life by lamp light, interspersed with a plethora of flickering candles. It’s just nicer that way – softer and friendlier if that’s possible? The last time my living room’s ceiling light was turned on was over the Christmas period whilst I set about wrapping some particularly fiddly presents. It’s a technical light. It’s there for technical assistance. It isn’t there for ambiance.
Whilst looking to replace the smashed lamp I came across a great piece from John Lewis’ Design Collection. An opal orb sitting atop a brushed brass and concrete base. It’s perfect, it’s contemporary and it’s brilliantly priced at £65. The diffused glow it gives off is enough to light up my living room on an evening, which is where it’s actually ended up despite the fact I needed a lamp for the dining room.
Image credit: Debenhams
Both looking for and deciding on a lamp proved to be a tricky task. Being a bit of a not fully committed minimalist, I have specific tastes. The design needed to be simple, with a neat silhouette but at the same time not look like it belongs in a 2001: A Space Odyssey. That’s the hard part. Why is so much contemporary lighting design on the high street produced in mirror-like chrome?
Featuring a distinct lack of polished chrome and a heavy dose of brushed brass, I’ve compiled an edit of the best contemporary lighting I came across whilst scouring the internet for the perfect replacement.
|1.| Doshi Levien for John Lewis Lamp |2.| J by Jasper Conran Lamp |3.| MENU JWDA Marble Lamp |4.| John Lewis Design Project Lamp |5.| HAY Pion Lamp |6.| J by Jasper Conran Task Lamp |7.| A by Amara Marble Lamp |8.| Flos Copycat Lamp